"Japan's most sophisticated show", apparently.
Located in the Akihabara district of Tokyo, from which the group takes its name, the AKB48 Theater represents the spiritual home and focal point for the whole AKB48 empire. When record producer Yasushi Akimoto
launched the group back in 2005, the main way he aimed to distinguish them from their pop idol rivals was to exploit the “girl next door” appeal and
make the members more accessible to the fans, as real people rather than just pretty faces
on a TV screen. This was largely made possible through establishing the
dedicated space of the AKB48 Theater, where performances could be held on an
almost daily basis by rotating the deep member roster. It’s not hard to
see why Akihabara was chosen as the group’s base - the place is swarming with otaku (geeks, or obsessive fans, particularly of anime and computer games) who come
to shop in the area’s many electronics and hobby stores and hang out in maid
cafes. A typical otaku may be a single guy in his 20s-30s with a penchant for bubbly young girls with squeaky voices and wide eyes who perhaps remind him of his favorite anime character – in short, the kind of guy most likely to fall for
the adolescent charms of AKB48! It also seems completely appropriate that the theater itself can be found
on the top floor of Don Quijote, a discount chain store that sells, among other
things, computer games, anime DVDs and figurines.
The show that I went along to was
especially for fans born in the month of April. A friend of mine had got hold of 2 tickets
by applying online through a random lottery system, and kindly offered the spare to
me, being a fellow April birthday boy. On stepping off the escalator shortly
before the performance was due to start, we were ushered to a space by the theater
entrance where we had to join one of several lines, divided up according to
ticket number. We were then subjected to another lottery, this time to
determine the order in which we could enter the theater. Unfortunately, our
line number was one of the last to be drawn, meaning that we had to settle for
a standing spot near the back. It didn’t matter too much though,
as the theater itself was surprisingly small, with a capacity of just over 200. On reflection, I guess I shouldn’t have been too surprised – like most
massive empires, AKB48 come from humble beginnings, and
besides, the small size of the venue serves to make it more intimate, helping preserve accessibility to the fans.
The 16 members who took to the stage for
this particular performance were all classed as kenkyusei (literally "research students" though closer to interns), which meant there was a distinct
lack of familiar faces for me, as well as a relatively, ahem, youthful tone, with
an average age of 15-16 years old. One face I did recognize was 20 year-old Minami
Minegishi, a prominent member of the main group who had been demoted to the ranks
of kenkyusei a month or so previously
for the shameful crime of spending the night at the apartment of a Japanese
boyband member, which broke the strict ban on AKB members having relations with
the opposite sex. She must have been performing in a wig on this day, as she’d shaved off
her hair when caught as a sign of contrition for her subversive behavior!
Interesting costume choice - pajamas + jacket
Moving on to the performance, to
be honest, I’ve never been much of a fan of the AKB48 brand of bouncy, saccharine
pop, and I wasn’t exactly converted through the experience of hearing it live. Having
said that, it was perfectly listenable, inoffensive fluff. We weren’t treated to any of the group’s big hits, as the set list was exclusive to the AKB48 theater,
but I wasn’t too bothered about this as most of the songs sound pretty much the
same to me anyway. I actually found some of the song titles more interesting than the songs themselves (pajama drive, moody mermaid*, angel’s tail*, Joan of Arc in the mirror*). One thing I
was impressed with was the bewildering array of costumes. For instance, as
well as a fetching pajama and jacket combo for “pajama drive,” the members
strutted their stuff in shiny space suits, marching band outfits and, of course, the obligatory school uniforms. (*rough translation)
Now, I couldn’t write about this experience
without touching on the slightly creepy aspect of it all. The fact that a fair
proportion of the girls on stage weren’t even out of high school
made me feel like a bit of a “dirty old man” just being there. While the dancing and costumes couldn’t exactly be described as Rihanna-level raunchy, it was hard to escape the fact that I was in an audience made up of
around 95% grown men who were most likely not just there for the music. I don’t
want to simply label AKB fans as perverts, however. If that was all there was
to the attraction, then they could get their kicks more easily on the Internet or elsewhere. For me, the key part of the whole performance, and the secret behind AKB48’s mass appeal, was epitomized in the breaks between songs, when the members interacted with the audience and each other. One typical exchange involved members
taking it in turns to say what they were “into” recently. The responses were
mostly pretty standard, teenage girl stuff (a certain kind of ice cream, their
pet dog, sleeping), though there were a few weird answers such as one girl's fondness for the smell of a particular fellow member's sweaty BO. I had to laugh when one of the younger members
said she was into 葉っぱ, which basically means “leaves” but
could also refer to a certain kind of recreational drug (she most likely meant the former but I prefer to believe she was talking about the latter)! My point is that they basically came across as normal teenage girls, without any airs or graces, just having a good time hanging out with their friends. They didn’t appear as untouchable
stars but as genuine, approachable, personalities. A final, personal touch was laid on
after the show when everyone in the audience received a mini birthday card
handwritten by one of the performing members (mine had misspelled her message “Happy
Biathday” but that merely added to the charm).
So, while I’m far from being a convert to
the legion of AKB fans, I do feel that I at least have a bit more appreciation for their
appeal after visiting the ABK48 Theater. Whether you're an otaku or not, as a quintessential taste of the bizarre/kawaii mixture that characterizes much of modern Japan it's an experience I'd recommend.
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